Some years ago - maybe 25 - I was traveling in Maine and decided I needed a carving project. I stopped in a gift shop where I had seen some bird carvings and asked the proprietor where I could buy some basswood. He ended up giving me a "significant" chunk of nice basswood.
I had with me a book, "Classic Carving Patterns" by Lora S. Irish, and decided to carve the "Rose and Laurel Spray" on pp. 134-5. The carving went fairly well, but I had no plan for where it would be used.
Some time later - maybe months or years - my wife and I found an incomplete antique clock in a shop in Port Townsend, WA. The clock was missing it top piece. The owner was also missing, but we tracked him down and arranged to buy it. Soon it occurred to me that the carved spray could be adapted to the clock by including some elements of the clock's corner columns.
I cleaned it up and refinished the mahogany highlights of the face and back panel. It has now taken its place of honor in our family room after being stored away for 15 years:
Arthur (one of our WCI guys) may appreciate this. Old clocks is one of his interests.
I had with me a book, "Classic Carving Patterns" by Lora S. Irish, and decided to carve the "Rose and Laurel Spray" on pp. 134-5. The carving went fairly well, but I had no plan for where it would be used.
Some time later - maybe months or years - my wife and I found an incomplete antique clock in a shop in Port Townsend, WA. The clock was missing it top piece. The owner was also missing, but we tracked him down and arranged to buy it. Soon it occurred to me that the carved spray could be adapted to the clock by including some elements of the clock's corner columns.
I cleaned it up and refinished the mahogany highlights of the face and back panel. It has now taken its place of honor in our family room after being stored away for 15 years:
Arthur (one of our WCI guys) may appreciate this. Old clocks is one of his interests.
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