No doubt about it, spring is in the air when the temperatures reach into the low 70's (F) and the carving bug starts biting hard! All of my woodshop classes were unexpectedly canceled today so I finally had a small window of opportunity between necessary catch-up chores and decided to take about 45 minutes this morning to experiment with carving a woodspirit into a live tree... like the one's that Colin Partridge (of WCI board fame) carves all the time.
I was infatuated with the idea of carving into a living tree when Colin's article came out in WCI several issues back and I immediately invested over $100.00 in the Sikken's Cetol 1 & 2 (cedar) as reccomended for the stain and preservative. Unfortunately, I never got around to trying one until now but better late than never I suppose!
For my first "living tree" woodspirit I chose a small persimmon tree right outside of my woodshop class building. I say "small" referring only to the diameter because that tree must shoot 90 feet into the sky! We built the shop 12 years ago and it was literally carved out of the forest here on our 900 acre wilderness preservation so the area was thickly wooded with a lot of tree competetion for a limited amount of sunlight thus the trees remaining are quite tall even if the diameter of their trunks are relatively small.
Anyhow... the persimmon carved like a knife in hot butter... ah, so smooth and sweet to the blade! The surrounding vegetation and trees are still dormant in their winter rest so the inner wood was rather dry with absolutely no sappy wetness. Carving it was quick and so enjoyable since I'm much more used to carving completely seasoned wood. What a joy!
Upon completion I applied the required layers of stain and preservative in time intervals during the course of the day. I recall Colin advising someone else on the forum a couple of years ago that he'd reccomend carving in live trees during the heat of summer since that would allow the Sikken's to dry and cure properly, which I'm sure is good advice. Well, I just couldn't wait when the temeratures went into the low 70's today and the spot where I carved the woodspirit had full sun exposure for most of the day so I think that it'll be ok. Plus the next few days are forcasted to be quite warm.
I'm glad that I finally got the chance to use my expensive Sikken's formula and I'm sure that many more woodspirit's will follow! I'll also be interested to see how this first "experimental" carving in a live tree comes along over the next few months and years. I carved it in a small "cluster" of persimmon trees so if it were to get diseased from the trauma then there are several other trees only a foot or two away to take up the slack and it'd never be missed.
This warm Carolina mountain weather has got me itchin' to carve like a 'possum in corn!
I was infatuated with the idea of carving into a living tree when Colin's article came out in WCI several issues back and I immediately invested over $100.00 in the Sikken's Cetol 1 & 2 (cedar) as reccomended for the stain and preservative. Unfortunately, I never got around to trying one until now but better late than never I suppose!
For my first "living tree" woodspirit I chose a small persimmon tree right outside of my woodshop class building. I say "small" referring only to the diameter because that tree must shoot 90 feet into the sky! We built the shop 12 years ago and it was literally carved out of the forest here on our 900 acre wilderness preservation so the area was thickly wooded with a lot of tree competetion for a limited amount of sunlight thus the trees remaining are quite tall even if the diameter of their trunks are relatively small.
Anyhow... the persimmon carved like a knife in hot butter... ah, so smooth and sweet to the blade! The surrounding vegetation and trees are still dormant in their winter rest so the inner wood was rather dry with absolutely no sappy wetness. Carving it was quick and so enjoyable since I'm much more used to carving completely seasoned wood. What a joy!
Upon completion I applied the required layers of stain and preservative in time intervals during the course of the day. I recall Colin advising someone else on the forum a couple of years ago that he'd reccomend carving in live trees during the heat of summer since that would allow the Sikken's to dry and cure properly, which I'm sure is good advice. Well, I just couldn't wait when the temeratures went into the low 70's today and the spot where I carved the woodspirit had full sun exposure for most of the day so I think that it'll be ok. Plus the next few days are forcasted to be quite warm.
I'm glad that I finally got the chance to use my expensive Sikken's formula and I'm sure that many more woodspirit's will follow! I'll also be interested to see how this first "experimental" carving in a live tree comes along over the next few months and years. I carved it in a small "cluster" of persimmon trees so if it were to get diseased from the trauma then there are several other trees only a foot or two away to take up the slack and it'd never be missed.
This warm Carolina mountain weather has got me itchin' to carve like a 'possum in corn!
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